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      Sam Riggs in Pensacola

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      October 24, 2019

      Thursday   7:00 PM

      2 South Palafox Street
      Pensacola, Florida 32502

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      Sam Riggs

      Sam Riggs was flying a single-engine plane from Austin, Texas, to San Angelo in the spring of 2017 when he heard the oddest sound: Nothing. Catastrophic engine failure. Hed lost all power, and had about 6,500 feet to figure out how to escape a potentially fatal problem.There was, he admits, a moment of panic, a moment that felt very surreal.But Riggs pulled it together. With the help of air traffic control, he found an abandoned airstrip on a Lone Star cattle ranch and touched down without a scratch. One of his most perilous moments ended up becoming one of his smoothest landings as a pilot.Its something of a metaphor for Riggs life. Hes a wild live performer, an inveterate risk-taker and an enthusiastic adventurer. As a self-sustaining, independent singer/songwriter, hes taken a leap of faith on more than one occasion, always willing to back up his plunges with a voracious amount of work. So he shrugs it off a bit when he thinks about how close he came to the edge in his aviation exercise.Thats just how my life has always gone, Riggs says with a laugh. Ive sort of become used to it.The sense of daring is a key element in Riggs brand of country, a rock-infused sound with a chip on its sonic shoulder from a guy who counts Garth Brooks, Foo Fighters, George Jones and Blink-182 among his influences. Between the swampy, thumping hard-rock crunch of Angolas Lament, the mysterious darkness of Long Shot and the feverish snarl of High On A Country Song, all of those raucous, rebellious elements find their place inside the boundary-pushing attitude on the two albums and two EPs Riggs has created on his own dime since 2010.The music has become an essential piece of the red-dirt scene in Texas, though its earning a distinct spot in the national consciousness as well. Riggs last album the 2016 release Breathless, distributed by indie Thirty Tigers debuted at No. 12 on the Billboard Country Albums chart.Others would view it as a major accomplishment to land in the same turf occupied by established acts backed by classically-branded companies, such as RCA Records, MCA, Warner Bros. or Columbia. But for Riggs, its just another plateau on the way to something bigger, even if hes not sure what that something is.Life is full of mountains, Riggs maintains, embracing the challenge. I have to have something to climb. As soon as I climb one mountain peak, Im looking for the next one, and thats sort of what music has been for me all along.While much of Riggs life has been lived uphill, hes confronted at least as many emotional challenges as geographical ones. He hails from St. Cloud, Florida, where the Everglades create a flat, steamy environment. Disney World and the beach were both within driving distance, but neither was partof his reality. He was surrounded by orange groves, cattle ranches, snakes and wetlands. And his homelife was less than ideal. His parents split when Riggs was 2 and his older brother, Mike, was 4. The stresshis mother faced created a childhood that he now considers tumultuous.But music provided some relief. His mother, author K.J. Radebaugh, turned the home into theirown personal coffeehouse at night, playing guitar for her boys and taking requests three songs apiece before they went to bed. Her performances of Me And Bobby McGee, Irish folks songs and Mammas,Dont Let Your Babies Grow Up To Be Cowboys gave Sam an early taste for country music.In the meantime, Riggs dad took him to see Garth Brooks in Orlando in 1998 on the three-yearworld tour that preceded his retirement. The effects and Brooks command of the audience were mindblowing,and life-changing, to a 10-year-old.When they played The Thunder Rolls, all the lights went out in the arena, and then the thunderrolled in, and there he was in a spotlight on the stage playing that guitar, Riggs recalls. The rain wascoming down around him, and it was like, This is unreal. I have to do this. I had already wanted to be asinger every little kid wants to be a singer at some point but it was like, This is it, I have to find away to do this. And Ive been chasing it ever since.Sam and Mike both picked up the guitar, and Sam moved on to the trumpet and drums by thetime he hit high school. He immersed himself in percussion and went on occasion to downtown clubs inOrlando to watch his instructor play with some jazz bands.Its all about syncopation, its all about technique, its all about thinking ahead, Riggs says, ofthe drums. You have two hands doing two different things at the same time and your feet doing twodifferent things at the same time. It teaches you a lot, it teaches you to focus.Riggs was restless, though, and his rebel spirit kept him from fully embracing the school bandsregimen. He was asked to leave the drum line, but that experience still influences his music today. Theresan oblique homage to that period in the marching-band percussion in the closing minute of one of hissongs, Lucky Ones. And Riggs is known to pull out a drum in sections of his live shows.Not long after high school ended, Riggs left the state in his pursuit of the music. He had twoobvious options: Nashville or Austin. Texas won out his aunt was moving there, and Riggs thought thatmade the Lone Star State practical.If things went wrong in Nashville, I didnt really have any couches nearby, he says.Riggs had already been writing songs informally in Florida, but he got serious about it in his newlife. He picked up a welding job to fund himself and enrolled at Austin Community College, where hetook a songwriting course taught by Robert Skiles. Riggs became obsessive about the subject so muchso that, once again, a teacher asked him to quit.I stopped going to all my other classes, Riggs says. At the end of class one day, he said,Riggs, see me after. I went down and he said, I need you to drop out. Youre not going to college,youre just coming to my class.But Skiles dismissal wasnt entirely negative. He told Riggs point-blank, Youre supposed to beout there doing it.School wasnt the only thing that came to a close. Riggs lost his primary welding gig, too, but hebecame the ultimate freelancer, picking up odd jobs with his own gear as a welder and playing clubs withhis band, which he eventually branded the Night People, a name derived from a line in Rabbit, a songby another of Riggs mentors, Americana icon Ray Wylie Hubbard. When the economy crashed in thelate-2000s, the work dried up, and Riggs took what he calls the ultimate gamble. He sold his weldingequipment and his truck and invested the money to make his second EP, 2012s Lighthouse.It was the equivalent of turning the engine off by choice, just to see if he could land the planeunder his own guidance. In Sam Riggs style, the risk paid off. People discovered the music, his ticketsales spiked, and he found himself a working musician with his own band and a distinctive sound.To date, hes racked up more than 2.2 million streams on Spotify and over 600,000 views onYouTube. A number of his singles hit the upper levels of the Texas charts, including the ultra-countryHold On A Let Go, the thumping concert re-creation High On A Country Song and his vulnerableSecond Hand Smoke. To top it off, Riggs picked up the Texas Regional Radio Award in 2016 for TopNew Male Vocalist.Now hoping to break into the Top 10 on the Billboard Country Albums chart with his nextrelease, Riggs sees this project as a crucial one. Hes purposely slowed down the recording process,making sure that if the album gets increased attention, itll live up to the hype.Thats not a sign that hes gone soft. Riggs has always marched to his own drum line, and a bookby Donald Miller, A Million Miles in a Thousand Years, crystallized for him the importance of choosingadventure.It talks about living your life like a movie, that you get one shot, Riggs says. How many timescan you look back on your life and say, Man, that was incredible? It comes down to choices. Do youwant to spend a Sunday on the couch watching movies? Or do you want to spend a Sunday skydiving?Thats a memory.Its why Sam Riggs can keep his composure in the middle of catastrophic engine failure. Its whyhe could drain his assets to invest in an uncertain future as a musician. And its why both his albums andhis concerts are fueled with a bit of daring and unpredictability. Riggs is an adventurer. Thats true in hismusic, and true in his life.I need to push it to the edge, he says. I dont know how to be any other way.

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