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      Amanda Shires Atmosphereless Tour w/ Jade Jackson in Rocky Mount


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      April 14, 2021

      Wednesday   8:00 PM

      450 Franklin Street
      Rocky Mount, Virginia 24151

      Map
      EVENT DETAILS
      Amanda Shires Atmosphereless Tour w/ Jade Jackson

      General Admission - $29 (plus fees)
      Gold Section - $42 (plus fees)
      VIP Meet & Greet (add on - Does not include ticket - must have ticket to attend - $102 (plus fees) (ONLY 20 AVAILABLE)
      VIP Merch Bundle (add on - does not include ticket - must have ticket to attend) - $52 (plus fees) (ONLY 10 AVAILABLE)

      VIP - Meet & Greet :includes:
      One (1) Meet & Greet with Amanda
      One (1) Individual photo with Amanda
      One commemorative VIP laminate
      One VIP Only exclusive merchandise item
      One VIP Only Lithograph
      Priority entry into the venue

      VIP Merch Bundle includes:
      One commemorative VIP laminate
      One exclusive merchandise item
      Priority entry into the venue

      Thank you for purchasing a Amanda Shires VIP Package. You will be contacted by Wonderful Union via email 24-48 hours before your event with further instructions regarding your package.
      All packages are non-transferable.
      If you have specific questions surrounding your package elements, please contact help.wonderfulunion.com or call 1.844-WND-RFUL.
      Customer SupportIf any fans have questions about the VIP offer, please direct them to help.wonderfulunion.com. Our support ream will be able to help address any issues/concerns they have

      “It’s all rock & roll – no golf!” is how singer/songwriter/violinist Amanda Shires describes her electrifying fifth album, To The Sunset. She’s borrowed a lyric from the track “Break Out the Champagne,” one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to reveal an Amanda Shires many didn’t know existed.
      It’s been a jam-packed since the release of Shires’ critically hailed My Piece of Land: constant touring with her band and as a member of husband Jason Isbell’s 400 Unit; finishing her MFA; and winning the Americana Association’s 2017 Emerging Artist award. Armed with stacks of journals, she wrote a batch of new songs in a flurry of focus and solitude – in a closet at the Shires/Isbell abode. “With a two-year-old running around, there’s nowhere to hide,” Shires explains.
      She reconvened with Land’s producer Dave Cobb (Isbell; Sturgill Simpson) at Nashville’s historic RCA Studio A. While writing such stunners as the enchanting “Parking Lot Pirouette,” haunting “Charms,” and raucous “Eve’s Daughter,” she thought about their sonics. “I explained to Dave that I wanted the songs to have atmosphere,” Shires recalls. “That the album was going to be sort of poppy, and that I was doing that to bring some sunshine into the world, cause it’s pretty dark right now.”
      Shires is renowned for her carefully crafted songs. Her influences include Leonard Cohen and John Prine, the latter of whom has been a mentor. “I was talking to John Prine while I was writing this record,” says Shires, “and he was talking about how using images that actually happened to you makes the songs true. Also, if you use images that you can see daily, it’s more relatable.” Shires took his advice in such tracks as “Break Out the Champagne.” “It’s all true!” says the resilient Shires. The near-plane crash over Newfoundland, her BFF Kelly’s fears about our apocalyptic times, another friend’s heavy breakup.
      To The Sunset, says Shires, “is meant to be a positive thing. Acknowledging your past, and at sunset, your hope for a new day. ‘To The Sunset’ sounds like a toast: This day is over, we don’t know what’s in the future, but it’s hopeful, I think.” Shires has drawn from her own past on To The Sunset – and pointed the way to her future. She has set the bar high – sonically and lyrically – and she’s jumped over it

      Jade Jackson
      In most musical careers, the debut album tends to lay bare the soul of the artist as she introduces herself to the world, its songs created from a real life still pure and unencumbered by any spotlight or harsh exposure. Jade Jackson, however, has chosen to flip that notion on its head, and with her second full-length, Wilderness, she casts a light more focused on her own life than ever before—due in part to an inspiration from finally coming to terms with a traumatic event in her own journey.

      Her first album, 2017’s Gilded, was a masterful, critically acclaimed introduction to her strong soulful stylings as told through the eyes of characters and storytelling, with Jackson keeping any hyper-personal glimpses at arm’s length. But for its follow-up, the singer-songwriter from the Central Coast of California decided to embrace the concept of “writing what you know” and build her songs from an autobiographical perspective. And while the subject matter of Wilderness isn’t necessarily directly drawn from it, Jackson found that revisiting some of the darkness surrounding an accident she experienced in 2012 and its aftermath helped open the door to further self-reflection.

      Two days after her 20th birthday, while a first-semester student at CalArts college in Santa Clarita, Jackson was hiking in nearby Sand Canyon when she leaped from a rope swing and fell 15 feet onto a rock. She sustained serious injuries, from shattered vertebrae and slipped discs to a ruptured coccyx, and was told by doctors that she may never walk again. An allergy to medication in the hospital gave her seizures, and when she was eventually discharged, she was forced to live in a hotel while wearing a back brace and using a wheelchair due to her dormitory’s inability to accommodate her needs. She realized she was depending more and more on the painkillers she was prescribed and after stopping cold turkey by destroying her prescription refills and flushing the remaining pills, her body and brain spiraled into depression. She also developed a control-related eating disorder that would haunt her for several years following. Jackson refers to her mind state during that time as “suicidal.”

      “Needless to say, for the first time since I had written my very first song, I didn’t believe in my music anymore,” Jackson says. “Because of my depression I didn’t like myself, so I couldn’t possibly imagine someone else liking what I created. But even that couldn’t stop me from writing, and songwriting remained my therapy through it all.” 

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